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[32].A.ShapurShahbazi,TheAuthuidetoPersepolis(Tehran,2004),pp.69——71.
第三章 优雅时代
[33].TobyWilkinson,TheRiseandFallofA(London,2010),p.23.
[34].ErikIversen,dProportioianArt(London,1955);GayRobins,ProportionandStyleiianArt(Austin,TX,1994).
[35].YvonneHarpur,‘Theidentityandpositionsofrelieffragmentsinmuseumsaions:thereliefsofR’-htpandNfrtfromMeydum’,TheJyptianArchaeology,vol.72,1986,pp.23——40.
[36].RudolfAnthes,‘AfinityaweeiaureandthoughtihandsixthturiesB.C.’,ProeriPhilosophicalSociety,vol.107,no.1,1963,pp.60——81,herep.63.
[37].DohroughAianPortraiture,exh.cat.,Birmi(Birmingham,AL,1988).
[38].CyrilAldred,‘SomeroyalportraitsoftheMiddleKingdomi’,MetropolitanMuseumJournal,vol.3,1970,pp.27——50.
[39].RossE.Taggart,‘AquartziteheadofSesostrisIII’,TheNelsokiin,vol.IV,no.2,October1962,pp.8——15.
[40].ArielleP.KozloffasyM.Brya’sDazzlingSuepIIIandHisWorld,exh.cat.,dMuseumofArt(d,OH,1992).
[41].Wilkinson,TheRiseandFallofA,p.285
[42].Herodotus,ThePersianWars,II.
[43].BernardFagg,‘Apreliminarynoteonaeryiguresfreria’,Africa,vol.15,no.1,1945,pp.21——22.
[44].PeterGarlake,EarlyArtaureinAfrica(Oxford,2002),p.111.
[45].Frederip,‘Aaiguresfreria’,YaleUGalleryBulletin,2011,pp.48——57,herep.52.
第四章 玉器与青铜
[46].UteFraheglypticartoftheHarappaculture’,inMisen,MáireMulloyandGünterUrban,eds,FotteheIndus:EarlyCivilizationinPakistahe2ndMillenniumBz,1991),pp.179——187,herep.182.
[47].frewandBinLiu,‘Theemergenplexsoa:thecaseofLiangzhu’,Antiquity,vol.92,no.364,August2018,pp.975——990.
[48].TimothyPotts,‘Theaa’,inDavidEkserdjian,ed.,Bro.,RoyalAcademy,London(London,2012),pp.32——41.
[49].gTê-k’uallurgyinShanga’,T’oungPao,vol.60,no.45,1974,pp.209——229.
[50].Jessi,eseBroandRitual(London,1987),p.20;JiahiloRehreallurgyandCivilisation:EurasiaandBeyond(London,2009).
[51].gTê-k’uallurgyinShanga’,p.224.
[52].Rawson,eseBronzes,p.31.
[53].JennyF.So,‘TheinlaidbroheWarringStatesperiod’,inWeheGreatBronzeAgeofExhibitionfromthePeople’sRepublia,exh.cat.,Metropolita,NewYork(NewYork,1980),pp.305——311,herepp.309——310.
[54].Rley,ed.,ASi:TreasuresfromaLostCivilisatio.,SeattleArtMuseum(Seattle,WA,2001).
[55].SimaQiaEmperor:SeletheHistoricalRecords,trans.withanintro.byRaymondDarefacebyK.E.Brashier(Oxford,2007).
[56].Ibid.,p.83.
[57].MaxwellK.HearaarmyoftheirstemperorofQin(221–206B.WeheGreatBronzeAgeofa,pp.353——368;Jaal,ed.,TheFirstEmperor:a’sTerray,exh.cat.,BritishMuseumLondon(London,2007).
[58].Lukasheirstemperorandsculptureina’,BulletinofSOAS,vol.76,no.3,2013,pp.413——447.
[59].ElizabethP.BensorizdelaFueofAMexico,exh.atio,Washington(Washington,BC,1996).
[60].James,‘Protetheafterlife’,inJames,ed.,TheSearortality:TombTreasuresofHanewHaven,CT,2012),pp.77——83;WuHuheYells:Uandiombs(Honolulu,HA,2010).
[61].MaryElleheArtofMesoameriectoAzte,2001),p.23;SusanMilbrath,‘AstudyofOlmecsculpturalology’,inStudiesinPre-bianArtandArchaeology23(Washington,BC,1979),pp.1——75.
[62].StuartFiedel,PrehistoryoftheAmericas(Cambridge,1987),pp.179——184.
[63].S.KahePu:CeramicFiguresfromAJapa.,BritishMuseum,London(London,2009).
第五章 人类的尺度
[64].S.Hood,TheMinoans(London,1971).
[65].A.J.B.Waae:AnArchaeologicalHistuide(Prion,NJ,1949).
[66].ThePylosWarriorSealwasdis2015.SharonR.StodJackL.Davis,‘ThebatagatefromthegraveoftheGrifinylos’,Hesperia:TheJournaloftheAmeriSchoolofClassicalStudiesatAthens,vol.86,no.4,October——December2017,pp.583——605.
[67].JohnBoardmareekVases(London,2001).
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